Her picture hung over my grandmother’s fireplace for as long
as I could remember. For a long time I assumed—as did most people—that she was
a relative. My grandmother’s great-grandmother, perhaps. It wasn’t until later that I found out she was
no relation at all, but merely a painting my grandmother had liked. So when my
dear grandmother died and my sisters and I went through her things, I chose
Mrs. Maria Ogden.
I don’t know why. I think it was because I also got my
grandmother’s piano, and Mrs. Maria Ogden seemed like she needed to preside
over something grand. It wasn’t until I took the painting that I was able to
read the back:
“Mrs. Maria Ogden,” it read. “Age 30.” I think that was it.
I remember being surprised that she was a couple of years younger than I was at
the time. There was also a date that was right around the time of the Civil War.
For a few years after Mrs. Maria Ogden moved in, I stood a
little straighter when I passed her because she looked like she didn’t approve
of slouching. I watched my mouth; I’m sure she didn’t approve of
colloquialisms, let alone swear words, even mild ones. I’m certain Mrs. Maria
Ogden believed that young ladies needed to conduct themselves with decorum even
though I was quickly becoming a much older woman than she had been when her
portrait was painted. “Be careful,” we whispered. “Mrs. Maria Ogden is watching.”
And she was, of course; her eyes followed us.
Then one year when my life was falling apart, I wrapped up
Mrs. Maria Ogden and put her in my car and drove her across town to the estate
dealer, and I sold her. I cried behind my sunglasses on the way home. I have no
idea who this woman was, but over the years she had nonetheless become a part
of my roots. I missed her.
Mrs. Maria Ogden helped put my son through college. Now that
I’m much older and wiser, I am certain she would not have been disappointed. In
fact, I’m sure it’s what Mrs. Maria Ogden would have wanted all along.
Beauty is a miracle
of things going together imperfectly. ~Anne Lamott, Stitches